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Secret Florence, little hidden gems

Discovering corners unknown to tourists

The city of Florence is visited annually by millions of tourists attracted by the world-famous artistic and cultural heritage.

Most of them, however, do not go to discover the little hidden gems that make the city an endless source of artistic surprises, anecdotes and unmissable goodies. 


Every corner of the city tells a story and with these articles we are here to let you discover them.

We begin our tour from Piazza della Signoria which hides secrets that escape the tourist.

PERSEUS BY BENVENUTO CELLINI

Have you ever closely observed Perseus with the head of Medusa by Benvenuto Cellini? The statue, which cost the artist ten years of work, hides an interesting detail that can only be seen by entering the Loggia dei Lanzi and observing the work from the back.

On the nape of the statue, under the helmet and amidst the thick hair of the hero of Greek mythology, looking carefully you can see a self-portrait of the author.

The work is considered among the most representative and magnificent of the Renaissance for its majesty and grandeur. By placing his face on the back of the work that cost him so much effort, he wanted to create an indissoluble bond with the masterpiece he created between 1545 and 1554.

CURIOSITY’: the one we admire in the square is the original, while the base is a copy and the original version is located in the Bargello Museum.


MICHELANGELO'S IMPORTUNO

Not far away, on the right wall of Palazzo Vecchio, behind the sculpture Hercules and Cacus, there is a face carved in stone.  Legend has it that this portrait was made by Michelangelo Buonarroti. 

There are two versions regarding the origin:

the first is the most famous and tells of a man who often bothered the artist with useless and boring questions. Michelangelo then decided to portray his face. It is said that the portrait was taken without looking, with the mai behind his back, while listening to his questions!

The second option is for the portrait to be the face of a man condemned to death that Michelangelo decided to sculpt hastily with the tools he had at hand. This would explain the simplicity of the portrait.


SAVONAROLA

Also in Piazza della Signoria, we find a plaque for Girolamo Savonarola in the exact spot where it was burned in 1498.

Two years after the death of Lorenzo the Magnificent, the Medici family was expelled and the Ferrara friar took more power and became a leading exponent of Florentine politics until he pulled too hard and the population rebelled and was tried for heresy.


ORSANMICHELE

The church of Orsanmichele is located in the historic center of the city, a few steps from Piazza della Signoria.

The peculiarity is that, initially, its original function was to host a market and store grain. It was transformed into a church by the Arts, the ancient Florentine guilds.

Externally, in niches, there are fourteen statues depicting the different corporations. Among these are those of Calimala, Cambio and Lana, considered the richest, as well as made of bronze, a more valuable material.

Moving to Piazza Duomo, we try other little hidden stories.


SASSO DI DANTE

In Piazza Duomo, we find a small treasure that few are aware of. A marble slab with writing “Sasso di Dante”. 

Not far away, in Piazza delle Pallottole, there is a rock with a plaque that reads “I’ true Dante stone”.

We have no certainty about the real location, but legend has it that the Supreme Poet spent time admiring the construction of the Cathedral of Santa Maria del Fiore.

There is an anecdote about it that highlights the poet's exceptional memory.

It is said that a gentleman, passing by, asked the poet:

- “Oh Dante, why do you like food more?"

"the egg” – replied.

A year later the same person, passing by, met Dante again and continued the conversation asking him:

“with what?”

- and Dante: “with’ salt!”


MARBLE SLAB
In Piazza Duomo, behind the apse, on the east side there is a white marble slab. It has no inscriptions that explain the meaning and for this reason many tourists do not know what it is.
It represents the only sign that has come down to our day regarding one of the anecdotes linked to the history of Florence. 
In 1600 the gilded copper ball, placed on Brunelleschi's Dome, fell onto the pavement of the square after being struck by lightning.

Legend has it that even infinite pieces of marble came down and reached Via de’ Servi.


THE HORNED BULL
On the left side of the Duomo, at Via Ricasoli, there is a sculpture with a bull's head.
Legend has it that a master builder had an affair with the wife of a baker or tailor (depending on the version) who discovered the affair and decided to make a complaint to the ecclesiastical court.
The master builder consequently decided to install that small sculpture on the side of the Cathedral, positioning it so that it directly observed the oven or the tailor's workshop to remind him of his being ‘horned’.
Moving to Piazza Ss. Annunziata, we find two other little hidden secrets that escape.


STATUE OF FERDINANDO I DE MEDICI
In the center of the square stands the equestrian statue of Ferdinando I de Medici.
It's impossible not to notice it, it's more difficult to see the detail on the pedestal.
Right in the back, you can see a swarm of bees in a series of concentric circles with the queen bee in the center.
The arrangement is not random, in fact there is a meaning.
This pedestal detail is an allegory of the Florentine power of the time. The queen bee represents the Grand Duchy and the bees represent the Florentine people and loyalty to the Medici power.

CURIOSITY’
In the past this game was used by parents to make children stop throwing tantrums, telling them to count the number of bees. If they had succeeded, they would have received a gift, but counting the number of bees is not at all easy due to the arrangement.
Have you ever tried?

THE WINDOW ALWAYS OPEN
Have you ever noticed that in the square of the SS. Annunziata, there is a small window of Palazzo Budini Gattai (the building with exposed red bricks) always open.
The palace housed a loving couple, but their romance did not have a happy ending.
He was called to fight to defend his homeland and she spent the days near the window hoping to see her love return from the war.
Unfortunately, the beloved never returned to their love nest of the two young men, and the woman died a widow near the window which was later closed.
From here starts the legend of the “window always open”, as strange and inexplicable Venetians began to occur, books flying, furniture banging, lights going out.
The window was reopened and all this stopped as if by magic.


WINE HOLES
Wine holes are a legacy of the past that has survived to the present day.
They might seem like anonymous windows, but in reality they are a characteristic element of the city.

Probably born during the Renaissance, they were used during the years of the bubonic plague. This was the way in which winemakers continued to sell their wine without having direct contact with the buyer.

It is possible to find them on the walls of the buildings in the historic center and they are small openings where wine is required and then sipped in company.
Their activity resumed during the Covid pandemic.


There are currently around fifteen active holes, but many are reopening, thus bringing it back into vogue.
There are many little secrets scattered around the city that escape the eye of less attentive tourists, but they all have a story worth knowing.
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The Uffizi Gallery houses the largest collection of paintings from Romanesque period to the 18th century. Nowadays the Uffizi still accommodates famous masterpieces exhibited in chronological order